Mother

topic for the second year of bachelor studies

Michalina Lewandowska

photomontage, 2021

My mom saved me from pain, but she didn’t let me get used to it. Now I must do it myself, tearing those sticking plasters off, one by one.

Paulina Bijoch

polaroid, 2021

The mother has always been an embodiment of delicacy to me.
In this cycle, I return to my early memories of femininity.
I portray the mother through their prism.

Piotr Lewandowski

video, 2021

I observe the roles we play in our mother-son relationship. I have always been fascinated by our influence on each other. It is very beautiful but also difficult. I look for a mechanism of support and tenderness.


Maksym Januszewicz

video, 2021

The video entitled „mother” was created as a result of observing my relationship with my mother. My mother used to ask me the same questions, and I noticed that I always answer automatically.
The video was my attempt to show two different realities – should I answer differently, should the questions be different?

Maja Soś

photography, 2021

I feel that a relationship with my mother is very diverse – not only close and friendly, but also uncomfortable and oppressive. However, constancy seems to be its fundamental feature – does it cause that feeling of discomfort? And above all, is the uncomfortable feeling specific for me or is it more common?

Aleksandra Stefaniak
wideo, 3’58’’, 2021

What bonds me and my mother? Where our paths are crossing, and where they are far away from each other? Mother is a foundation on which I build my on identity, life and rules. In this short video I listen to my mother and try to find myself in her words.

Zuzanna Krefft

video, 2021

Mother is the video-art that depicts the fear of losing sight, which accompanies my mom/ that is experienced by my mom. I visualized my projection of mother’s fear- at the top and her own idea of it- at the bottom.

Piotr Szczęsnowicz

video, 2020

This video was produced as a result of my observation of the relationship between me and my mother. In it, I see the recurring reactions that arise in relation to my problems. My mother’s constant affection is represented by a gesture that I recall from my childhood.

Jeremi Czyż

„Household object”

fotomontage, 2020

The archetype of the mother enchanted in household objects.

Joanna Bury

photographs, video 2’29”, 2019

A story about a relationship with mom based on video conversations. The combination of two different realities is defined by ingredients and recipes recited. Documented objects are the contents of parcels that she regularly sends tome.

Obrazek posiada pusty atrybut alt; plik o nazwie BuryJoanna_Matka_Zdjęcie3-683x1024.jpg
Obrazek posiada pusty atrybut alt; plik o nazwie BuryJoanna_Matka_Zdjęcie2-683x1024.jpg
Obrazek posiada pusty atrybut alt; plik o nazwie BuryJoanna_Matka_Zdjęcie1-683x1024.jpg

Krzysztof Oleksiak

video, 1’32”, 2019

What is the price of being perfect? Although arising from love, continuous correction and positioning of loved ones uttered like a mantra can turn into micro-pin pricks that stay in the body for a lifetime.

Zofia Tomasik

video, 2’09”, 2019

In my work “Mother” is a universal foundation. The foundation on which we all rose and developed. “Mother” is Earth, a ground – which help us shape our first feelings and emotions. The relationship with the Mother creates a path built of emotions, various stages and subsequent transitions between them. Emotions that, despite diversity, create a similar path.
Similar transition.

Julia Lesińska

video, 2’00’’, 2019

What is the garment in the cultural context? How much does the society
impose expectations on us, and how much do we do so to ourselves? If
clothing (social role) is a kind of costume, at which point it becomes
grotesque?

2018/2019

Marcelina Gorczyńska

video, 04’12’’, 2019

This video is a test of the relationship I have with my mother. Posing for a photo doesn’t seem to end – it shows how genuine we are with each other and how long we can keep on smiling. You can’t not have parents. You don’t always want to be one, but sometimes it just happens. I’m trying to check if I got the right mother.
The real one is numer three.

Lena Pierga

video, 1’50”, 2019

The work is about a compulsive need to take care of another person and the endless possibilities of showing affection and solicitude. It is an attempt to find boundaries between the feeling of fulfillment and excess. It shows a process of striving to find a way to take control over reality and managing to shape it.

Marta Matysiak

video, 7’50”, 2019

script, photos, editing
Gentle; kind; smoothly; in anger; tough; gentle; kind; enough.

Klaudia Skuza

video, 0’51”, 2019

Trust exercise as a reflection of the relationship with the parent. Two channel video. An optimistic and non-optimistic variant. You never know if someone will catch you.
Performers: Paula Jędrzejczak, Aleksandra Kołakowska

Olga Gniadzik

photographs, 2019

The series of photographs depicts small sculptures that were created by my Mother’s thoughtless arrangement and the objects that I associate with her.

Małgorzata Bonas

photographs, 2019

In response to the task, I wanted to present my deceased mother’s figure through the traces she left behind. Most of my memories are related to her things that remained  in our apartment.

Kamil Druk